A majestic giraffe which is one of my emblematic pieces.
A giraffe woman, a play on curves and focused on the birth to come.
A large bronze, an example of which was exhibited in the Courtyard of Honor at the Sorbonne Place du Panthéon.
It is actually on display at the Archaeological Museum in the Val d'Oise.
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An image of a woman whose neck is encircled by rings which represent social pressure. She transcends the latter by displaying a proud and elegant posture.
A large bronze currently on display until November 2020 in the remarkable garden of the Musée de l'outil (Tool Museum) in the Val d'Oise.
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Sculpture continuing on the marine theme for the Bêtes à Musée exhibition. The seahorse's spiralled tail responds to the curve of its neck. A look is exchanged between the seahorse and its rider.
Brown patina with lighter background.
The last rare artist's proof IV/IV which takes up the timeless theme of mother and child. I could talk about African maternity. In my iconography, the giraffe is a woman, the rhinoceros a man. Here a tender look is exchanged between the mother giraffe and her rhinoceros son !
Brown patina, lighter background, slight colour of the savannah.
I finished this sculpture on Christmas Day 2019 and at first I called it Happy Christmas, imagining the bear cub offering the fish as gifts!
Now I prefer Back from Fishing, which I feel is more appropriate to the subject.
Brown patina, lighter background with green glints for the fish.
This is a playful sculpture which reveals surprises from all angles. The rounded forms of the "pouffe" and of the big elephant are punctuated by the acrobatic position of the little one on the trunk. The little elephant at the back awaits his turn ! Slate grey patina with a lighter background.
This sculpture was based on the theme of the representations of children and dolphins of ancient Rome. This sculpture was created for the exhibition « Bêtes à Musée » .Grey very slightly bluish patina.
Five elephants descend The Nile on a crocodile. A voyage in time and space.Brown patina with a lighter background. Pedestal brass, base black/brown.Sculpture created for the exhibition « Bêtes a Musée »
A family of wolves, on an impulse which is beautiful and communicative, ‘sing’ to the moon.With this sculpture I played on fullness and emptiness to create an overall composition which joins emotion and form.Grey/black patina with a lighter background.
Sandstone, bronze original. Presented at the ART’UP Galleries in Lille. Entrusted to the Harze Foundry for the release of the next bronze edition 1/8.A playful theme that I re-use in different positions by playing on the roundness of the forms.
A game of acrobatics between parent and child.I have played on fullness and emptiness and the roundness of the gently touching animals’ trunks.This sculpture was presented for the first time at the ART’UP Galleries in Lille. The original clay was presented at Antica Namur in October 2019.Nitrate d'argent patina.
Sculpture created for the exhibition « Liaisons Vitales » (Vital Connections) at the Natural History Museum of Lille.The little girl is at one with the wolf in a shared moment of time.Brown patina with a lighter background.
A playful and recurring theme which refers to the surprising lightness and agility of big animals. The curves of the trunks respond to the curves of the hindquarters.Brown patina with a lighter background.
This is a sculpture from 1998. It is in my studio and is the only remaining edition. The first edition of this sculpture was inspired by the play « Rhinoceros » by Ionesco before being acquired at the time by the writer’s doctor.
The exchange of looks between a generously shaped Pyreneen horse and a little girl.Black patina with a lighter background.An example of this sculpture is in the process of being acquired by the Musée de L’Outil.
The elephant lying on its back is one of my ‘playful at heart’ themes. I have placed on the elephant’s trunk a baby elephant which is attempting an acrobatic exercise.Grey patina with a lighter background.
Sokatira is a Basque tug of war game. A very graphic sculpture presented for the first time at the Antica Namur in 2019 by the Septentrion Gallery. Place it preferably on a wall shelf, high enough to optimise the reading of this sculpture.